SLB recalls how he was awe-struck by KK’s ‘Tadap Tadap Ke’ scratch recording

Mumbai: Bollywood hit filmmaker Sanjay Leela Bhansali was in shock after listening to concerning the demise of standard singer Krishnakumar Kunnath, higher identified by his stage title KK, on Tuesday evening in Kolkata. He spoke in a media interview about his expertise of working with the late singer and what he preferred about his voice high quality.

“How may KK simply collapse and die like this? What a expertise! What a singer! His voice had the throw of a professional,” Bhansali stated.

As already reported by IANS, after his efficiency on May 31 at Nazrul Mancha, Kolkata, for a university fest, KK returned to his resort and collapsed, after which he was rushed to the Calcutta Medical Research Institute (CMRI), the place he was declared introduced useless. He was 53.

The filmmaker recalled working with the late proficient singer, saying: “I keep in mind composer Ismail Durbar had come to me with the music ‘Tadap Tadap Ke’, it was in KK’s voice. Normally scratch recordings (pattern recordings) are achieved in short-term voices. But once I heard the music, my first response was, ‘Oh my God! What a voice? Who is that this? Where did you discover him?'” He was chatting with Bollywood Hungama, the leisure portal.

‘Tadap Tadap Ke’, as all KK followers would know, was picturised on Salman Khan and Aishwarya Rai within the hit 1999 movie, ‘Hum Dil De Chuke Sanam’.

Bhansali continued: “Ismail stated it was the voice of a singer named KK and he had heard him sing a music ‘Chhod Aaye Hum Woh Galiyan’ for Vishal Bhardwaj. I informed Ismail that I cherished the music ‘Tadap Tadap Ke’. But the voice should stay. I could not think about anybody else singing ‘Tadap Tadap Ke’.”

The filmmaker then talked about KK’s voice high quality. He noticed: “KK was an entire singer. His vary and voice-throw have been excellent. He may have been extra profitable than he was. But he most popular to focus on high quality moderately than amount. He was very specific about what he sang.”

He then went on to share his expertise of working with KK for ‘Devdas’.

“He sang just some alaaps in Devdas,” he informed Bollywood Hungama. “But in my movie ‘Guzaarish’, once I turned a full-fledged music composer for the primary time, I wished him to sing quite a lot of songs. I believe KK sang three of my most cherished compositions: ‘Daayen Baayen’, ‘Jaane Kisske Khwab’ and the title music ‘Guzaarish’.

“Of all these I cherish ‘Jaane Kisske Khwab’ essentially the most. It is a particular composition for me, made much more particular by KK’s singing.”

Going into element about KK’s manner of singing and elegance for ‘Guzaarish’, Bhansali stated: “KK insisted on sitting on a chair to singing the songs of ‘Guzaarish’. Normally. singers stand and document their songs. But KK insisted on singing seated. His purpose was easy: ‘The primary character (performed by Hrithik Roshan) is a paraplegic, he is due to this fact going to sing the songs from a seated place, so will I.’ That was his stage of dedication. He should not have gone so quickly.”

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