In 1971, Linda Gray, then a profitable TV business actress — she finally appeared in additional than 400 TV advertisements — and her husband Ed Thrasher, then the artwork director for Warner Bros. Records, who designed album covers for seminal bands of the period, together with The Jimi Hendrix Experience, Grateful Dead and The Doobie Brothers, drove out of L.A. with some visiting associates from Tennessee who had been trying to purchase a horse ranch.
The foursome ended up about 35 miles due north of Beverly Hills, within the secluded Canyon Country space of the Santa Clarita Valley, the place Gray and Thrasher shortly grew to become so smitten with the world’s rolling, oak forested hills that they acquired an unusually triangular parcel of practically 2.7 largely flat acres for themselves.
At the time, modernist architect A. Quincy Jones was designing the Warner Bros. Records Building in Burbank, Calif., a woodsy International-style affair accomplished in 1975, and the younger couple had the prescience to rent Jones to design their Canyon Country retreat in a equally rustic-modern method. The three-bedroom important home was accomplished in 1974, the 12 months Gray landed her first credited TV position, a small one-episode half on Marcus Welby, M.D.
Gray went on earn Emmy and Golden Globe nominations for her iconic portrayal of “neurotic, psychotic, alcoholic weirdo” Sue Ellen Ewing on the unique Eighties primetime cleaning soap Dallas, and its reboot, which ran from 2012 to 2014. She and Thrasher divorced in 1983, and the town of Santa Clarita, integrated in 1987, has turn out to be a sprawling edge metropolis composed of suburban housing developments, purchasing malls, and practically 1 / 4 million folks. The Canyon Country space, nonetheless, stays a lot the bucolic equestrian hideaway it was fifty years in the past.
Aptly dubbed Oak Tree Ranch, Gray’s equestrian-zoned property boasts a complete of 5 bedrooms and 4 loos in about 4,800-square-feet of dwelling area between the single-story important home and two-story visitor home.
Now in her early 80s, Gray unsuccessfully tried to promote Oak Tree Ranch in 2018 with an asking worth of just about $3 million. Now, she’s giving it one other go, itemizing the beloved property with Billy Rose, Natasha Sizlo and Andrea Korchek, all with The Agency, at $2.995 million.
All earth tones and ecrus, ethereal, light-filled interiors make use of sturdy tree trunks stripped of bark to carry aloft the beamed and vaulted ceilings over the sunken lounge.
The lounge additionally boasts coronary heart pine floorboards salvaged from an outdated schoolhouse in New Orleans, a cantilevered fireside that spans the total width of the room, and partitions of glass that nearly make the room appear as a lot exterior as in.
An enormous skylight fills the eating room with gentle — the bespoke chunky wooden desk and chairs are among the many house’s ornamental highlights — and the expansive Josh Schweitzer-designed kitchen incorporates poured concrete counter tops and a wood-fired pizza oven.
In a advertising and marketing video, Gray explains that she hates to cover commonly used kitchen gadgets, so Schweitzer included a large pot rack on both aspect of the professional-grade vary over the extra-long island.
In one of many important residence’s visitor bedrooms, an natural picket desk is positioned for a relaxed view of the swimming pool and surrounding gardens. A sprawling skylight-topped retreat unto itself, the master bedroom gives a small sitting space lined in floor-to-ceiling bookshelves and a hearth raised off the bottom in order that it may be loved from the mattress.
A big rock sticks up out of the tiled ground of the greenhouse-like rest room, which has a wood-stove warmed sitting space alongside a sunken jetted tub. A couple of steps down from the bathtub is a big dressing room/health space lined with mirrored wardrobes. The important home and two-story guesthouse are linked by weathered decking and concrete terracing across the swimming pool and spa.
The two-bedroom guesthouse features a spacious double-height lounge with huge fieldstone hearth and kitchen. A serene area, one of many visitor home’s bedrooms options customized built-ins and textured partitions that appear to be suede.
The en-suite barn-wood rest room is prepped for friends with plush white robes and, on the ceramic-tile vainness, a small tray full of assorted perfumes. Both the primary home and the guesthouse spill simply out to the easy rectangular swimming pool and round spa, which is positioned amid massive rocks.